Feng Shui Principles For Setting Up Crystal Chandeliers
posted by lhaizzaFeng shui is known as an ancient Chinese practice that teaches a person to live in harmony and peace with his or her surroundings. In order for the person to increase the entry of positive energy and to have a positive state of mind, the person is made to observe procedures to ensure that this positive energy or also known as "chi" will continuously flow in the surroundings making the people in that particular place happier and have a more positive outlook in life.These feng shui principles can be applied in different ways such as the placement of furniture in the house, the putting up of different figurines that are believed to possess that positive energy and even with the lighting fixtures such as setting up crystal chandeliers at home, feng shui principles can also be adaptedFree Flowing Positive EnergyAlthough there are a lot of different schools of this ancient Chinese practice, they are still grounded on the same beliefs. A lot of feng shui practitioners use different approaches in terms of the design that will give way for the positive energy to flow in.These design principles can be properly implemented in new and currently existing buildings or homes that are believed to contribute a lot in the abundance of harmony, joy, vitality, peace and love of the environment that surrounds the area. These design ideas are also easy to try and once you get a brief look of these different principles, you will be able to enjoy and eventually put them into practice.Tips On Choosing The Right Shades And Designs For Your ChandeliersChandeliers that have incandescent bulbs generate that warmer and orange hue level of lighting in the room. Compared to other sources of lighting, these incandescent bulbs create an inviting living space for the homeowner. Choose the color shades that you would like to work with for the mood that you want to create in a particular area in the house. For a calm pleasure mood, you can start off with pink shades while purple is perfect for a more passionate mood.Instead of just using one crystal chandelier situated at the center of the room as a source of bright light, you might want to use two or more softer lighted crystal chandeliers that will create a warmer glow as well as invite positive energy to come in.You can also add up lamp shades that are made of fabric in order to soften the light thus creating a quieter environment. If you want to achieve that active atmosphere in your home, you can go for metallic and reflective colors. The softer shades are best placed in the bedroom or bathroom while the harder shades best complement rooms that are utilized for working or other activities.Vanessa Arellano Doctor://crystal-chandeliers.xon.us/
A Feng Shui Tip About Clutter
posted by reiki2clipped by: reiki2Clip Source: www.squidoo.com
A Feng Shui Tip About Clutter
Let's check out clutter, so what is it?
You
may think this is a strange question, however, it is an important question and
is one that needs to be addressed. You have probably heard the saying, "one
man's trash is another man's treasure."In other words, what may seem
like clutter to one person may feel warm and comforting to another person. And a
so-called uncluttered home may feel to some to be cold and sterile, lacking in
personality and style.So the question is, what really describes clutter,
and how is it tied in with the concept of feng
shui?And, why can we so confidently say that clutter is the biggest
enemy to good feng shui?
VASTU SAHSTRA AND FENG-SHUI BUILDING DESIGN
posted by dhrubo1The word vastu brings a myriad of reactions from people in general and architects (including students) in particular. For architects it is:’what is this; where does this fit into the architecture we learned and practice’ or ‘I would not touch it’ or ‘it is our sacred tradition and one must follow it reverentially otherwise it would bring bad luck’. Students are more confused about vastu as they do not get correct information.
To understand vastu we can draw an analogy with the story of the blind men and the elephant that we read in school. Vastu is like that elephant. But before we go into more detail, there is something that should be made clear. In the present context vastu has become a word with a double-meaning. One is the popular meaning which means something mystical, superstitious or ritualistic that makes or breaks the life of the client.The other is the Sanskrit equivalent of architecture or it can be defined as the Indian system of architecture. The common Sanskrit synonyms are vastu-vidya (knowledge of vastu) and sthapotya (to establish). Etymologically vastu is derived from vastu (matter/earth); vastu is the act of modifying vastu (matter) into usable form (house, temple, towns, villages, furniture, vehicles, sculpture, and iconography).
So when one says vastu, first try to find out what that person means; it could be either of the above or much more. In different contexts it could be that when a person says it, he means it reverentially (like the name of a deity), sarcastically (like the honesty of lawyers), with abhorrence (like the name of a disease), with humor (like a joke),with mystery (like Hercule Poirot in a novel), academically (like a branch of knowledge) or even fashionably (vastu? It’s out now, feng-shui is in!).The point I want to make is that it has different meanings in different contexts. However one cannot say ‘never heard about it’. It is either good or bad or ugly.
Coming back to the elephant; vastu has many aspects or fields of knowledge. This can be illustrated by quoting from a traditional vastu treatise like Mayamatam. It contains verses on planning of towns, villages, design of temples, halls, pavilions, and seats etc. It also has information on material specifications, brickwork, joinery and carpentry. Majority of the text is on architecture and construction. The remaining verses are on astrology, ayadi formulae, mandala diagrams, muhurta and other non-architectural aspects.
If we only concentrate on the architectural, building material and constructional part, we can learn a lot from vastu shastras. lt tells us about principles of design, aesthetics, management, total quality control, as practices in that era. Some of the text on do’s and don’t’s is difficult to believe, but leaving that apart, the architecture part is good enough. It is ironic that as a student who is learning architecture in India, you are more aware of principles and nomenclature of ancient western architecture than ancient Indian architecture. For example, in the context of pillars, you may be able to identify Doric, Ionic or Corinthian order, but chances are you may not be able to identify the classical Indian order like Brahmakanta, Vishnukanta or Indrakonta pillars. Similarly, you may know the ‘golden mean’ and proportions of modular, but may not know the proportions ‘jati’,'adbhuta’ or’chhanda’ followed in classical architecture of ancient India.The point that I wish to highlight is that Vastushastra is predominantly architecture in the sense that we understand it today; design, aesthetics, detailing, construction, material specifications,quality assurance and so.
In the context of design of architectural elements, taking the case of pillars, when the description is interpreted, visualized and analysed, a pattern emerges.The first in the sequence are single section pillars, namely square, hexagon, octagon and circular. Next are two section pillars; square at the bottom and the top half is octagon, etc.Then pillars comprising of three sections; square, octagon, sixteen sided are described. Subsequently the pillars have multiple sections. The proportions of the pillars are worked out at many levels. Its height is proportional to the height of the plinth (adhishthana) below and entablature (prastaro) above. Its height is also proportional to its diameter at the base,which in turn is proportional to its diameter at the top (refer figure I and 2). Thus, a systemic approach is adopted while designing an element so as to make it in harmony with the elements adjacent to it and also with its constituting elements.
This approach also helps in execution.A craftsman was given the overall dimensions and the general theme of the piece he had to carve and the detailing was left to him. This gave him some scope for showing his creativity.This was a high point of vastu which makes it different from present day architecture.The dignity of the craftsman was maintained. Instead of just being a manual skilled labour (mistry) that he is today, he was a contributor to the aesthetics of the total design.This approach of vastu can be related to what we now know as TQM in management.
The systemic approach in vastu also makes it a prime contender for computer applications. The methodology of design is such that computer programs can be developed for them. It is also possible to create these designs on any CAD software, have a library of elements and then develop design by permutation and combinations of these elements and proportions.The possibilities are infinite. It is truly an excellent area for research in possibilities of computer applications in architecture and architectural conservation.
The other part of vastu which occupies less content in texts but has more media hype in the society is the do’s and don’ts part, locations of activities, entrance and directions, astrology, muhurtas, mystic formula and calculations. Presently, I personally don’t have much knowledge of this aspect to either support it or denounce it; only comment I can make is that it does not fit into our ‘modern scientific’ thought process with the level of knowledge we have today.This might change in the future. In the context of medical sciences, If we take allopathy as the equivalent of architecture, yoga and dyurveda (Indian system of medicine) can be termed as the equivalent of vdstu (Indian system of architecture), and now a days yoga and ayurveda are not frowned upon and are accepted as an alternative method of health care by the public as well as doctors. So there might be something in this aspect of vastu because both ayurveda and vastu have common roots in the Vedic thought.
In conclusion, I would like to state that before accepting or denying the validity of a certain idea first you have to try to understand it.This is a much better approach than branding something as good or bad.
architecture feng-shui vastu shasta building designBookMark The word vastu brings a myriad of reactions from people in general and architects (including students) in particular. For architects it is:'what is this; where does this fit into the architecture we learned and practice' or 'I would not touch it' or 'it is our sacred tradition and one must follow it reverentially otherwise it